Casa Bruma makes linen that creases on purpose. Their campaign needed space, so we drove until the dunes ran out of footprints.

Noon to six

At noon the sand turns almost white and the shadows disappear. By six it goes lilac. We shot the same three looks at both hours and let the light change the clothes for us. Noor walked the ridge again and again until the wind smoothed her tracks.

Everything was shot on medium format and scanned at the lab in Lisbon a week later, still full of sand.