Editor’s letter
Dear reader, this is issue seven, and the most colourful one yet. Six stories from the last two years: a campaign shot against one yellow wall, a forest that would not stop snowing, a sky that refused to cloud over.
I am a fashion photographer and creative director working between Lisbon and Milan. I make campaigns, editorials and lookbooks for labels who still care about the picture more than the post.
Every story in this issue was shot on film, scanned at the lab on Rua da Rosa and graded by hand. Turn the page.
Editor’s letter
Dear reader, this is issue seven, and the most colourful one yet. Six stories from the last two years: a campaign shot against one yellow wall, a forest that would not stop snowing, a sky that refused to cloud over.
I am a fashion photographer and creative director working between Lisbon and Milan. I make campaigns, editorials and lookbooks for labels who still care about the picture more than the post.
Every story in this issue was shot on film, scanned at the lab on Rua da Rosa and graded by hand. Turn the page.
- 06ChartreuseCover story
- 22Red WeatherFashion story
- 38Heat IndexLookbook
- 54White SandsCampaign
The Chartreuse Issue · Six stories · Shot on film
Red WeatherTwelve metres of silk at −14 °C p.22
Heat IndexA lookbook that ran a fever p.38
In conversationOdile on light, luck and the second frame p.96
06Stories in this issue
White SandsLinen at noon, lilac at six p.54
HothouseGreen on green on green p.70
€0,00Autumn / Winter 2026
AdvertisementEditor’s letter
Dear reader, this is issue seven, and the most colourful one yet. Six stories from the last two years: a campaign shot against one yellow wall, a forest that would not stop snowing, a sky that refused to cloud over.
I am a fashion photographer and creative director working between Lisbon and Milan. I make campaigns, editorials and lookbooks for labels who still care about the picture more than the post.
Every story in this issue was shot on film, scanned at the lab on Rua da Rosa and graded by hand. Turn the page.
Editor’s letter
Dear reader, this is issue seven, and the most colourful one yet. Six stories from the last two years: a campaign shot against one yellow wall, a forest that would not stop snowing, a sky that refused to cloud over.
I am a fashion photographer and creative director working between Lisbon and Milan. I make campaigns, editorials and lookbooks for labels who still care about the picture more than the post.
Every story in this issue was shot on film, scanned at the lab on Rua da Rosa and graded by hand. Turn the page.
- 06ChartreuseCover story
- 22Red WeatherFashion story
- 38Heat IndexLookbook
- 54White SandsCampaign
The Chartreuse Issue · Six stories · Shot on film
Red WeatherTwelve metres of silk at −14 °C p.22
Heat IndexA lookbook that ran a fever p.38
In conversationOdile on light, luck and the second frame p.96
06Stories in this issue
White SandsLinen at noon, lilac at six p.54
HothouseGreen on green on green p.70
€0,00Autumn / Winter 2026
AdvertisementContents
Contents
Contents
Nº07
Nº07
Autumn / Winter 2026
Autumn / Winter 2026
Six stories · Two departments
Six stories · Two departments
06
Chartreuse
A campaign built around one colour and a lot of nerve. Two days in Lisbon against a single roll of seamless paper.
Cover story
Maison Arlo · AW26 campaign
→
06
Chartreuse
A campaign built around one colour and a lot of nerve. Two days in Lisbon against a single roll of seamless paper.
22
Red Weather
Twelve metres of red silk, minus fourteen degrees and a forest that would not stop snowing. The fabric did the posing.
Fashion story
Vellum Quarterly · Issue 31
→
22
Red Weather
Twelve metres of red silk, minus fourteen degrees and a forest that would not stop snowing. The fabric did the posing.
38
Heat Index
A lookbook that ran a fever: pleats against a sky so blue it looked printed.
Lookbook
Mirela Swim · SS27
→
38
Heat Index
A lookbook that ran a fever: pleats against a sky so blue it looked printed.
54
White Sands
A campaign for a linen house, shot where the dunes turn white at noon and lilac at six.
Campaign
Casa Bruma · Linen 2026
→
54
White Sands
A campaign for a linen house, shot where the dunes turn white at noon and lilac at six.
70
Hothouse
Green on green on green. An editorial on colour blocking, shot in a studio we turned into a greenhouse.
Editorial
Fold Magazine · Colour issue
→
70
Hothouse
Green on green on green. An editorial on colour blocking, shot in a studio we turned into a greenhouse.
86
Noir, Slowly
A personal series in black and white: one roll of film a month, for a whole year.
Portraits
Personal series · 2025
→
86
Noir, Slowly
A personal series in black and white: one roll of film a month, for a whole year.
p.94 · The team
p.96 · In conversation
p.98 · Subscribe & commissions
A campaign built around one colour and a lot of nerve. Two days in Lisbon against a single roll of seamless paper.
- Photography
- Odile Varga
- Styling
- Inês Couto
- Hair & make-up
- Ruth Amaral
- Model
- Hanna L.
- For
- Maison Arlo
We painted the wall twice. The second yellow was the right one.
Chartreuse
Chartreuse
Chartreuse
Chartreuse
A campaign built around one colour and a lot of nerve. Two days in Lisbon against a single roll of seamless paper.
- Photography
- Odile Varga
- Styling
- Inês Couto
- Hair & make-up
- Ruth Amaral
- Model
- Hanna L.
- For
- Maison Arlo
We painted the wall twice. The second yellow was the right one.
Twelve metres of red silk, minus fourteen degrees and a forest that would not stop snowing. The fabric did the posing.
- Photography
- Odile Varga
- Styling
- Marta Ruiz
- Set
- Pietro Galli
- Model
- Sana K.
- For
- Vellum Quarterly
Cold light is honest. It shows you every thread.
Red Weather
Red Weather
Red Weather
Red Weather
Twelve metres of red silk, minus fourteen degrees and a forest that would not stop snowing. The fabric did the posing.
- Photography
- Odile Varga
- Styling
- Marta Ruiz
- Set
- Pietro Galli
- Model
- Sana K.
- For
- Vellum Quarterly
Cold light is honest. It shows you every thread.
A lookbook that ran a fever: pleats against a sky so blue it looked printed.
- Photography
- Odile Varga
- Styling
- Inês Couto
- Model
- Amaka O.
- For
- Mirela Swim
We shot looking up all day. Our necks hurt. The sky was worth it.
Heat Index
Heat Index
Heat Index
Heat Index
A lookbook that ran a fever: pleats against a sky so blue it looked printed.
- Photography
- Odile Varga
- Styling
- Inês Couto
- Model
- Amaka O.
- For
- Mirela Swim
We shot looking up all day. Our necks hurt. The sky was worth it.
A campaign for a linen house, shot where the dunes turn white at noon and lilac at six.
- Photography
- Odile Varga
- Creative direction
- Odile Varga
- Model
- Noor H.
- For
- Casa Bruma
Sand gets into everything: the lens, the shoes, the silences.
White Sands
White Sands
White Sands
White Sands
A campaign for a linen house, shot where the dunes turn white at noon and lilac at six.
- Photography
- Odile Varga
- Creative direction
- Odile Varga
- Model
- Noor H.
- For
- Casa Bruma
Sand gets into everything: the lens, the shoes, the silences.
Green on green on green. An editorial on colour blocking, shot in a studio we turned into a greenhouse.
- Photography
- Odile Varga
- Styling
- Kofi Mensah
- Make-up
- Ruth Amaral
- For
- Fold Magazine
When everything is green, the face becomes the colour.
Hothouse
Hothouse
Hothouse
Hothouse
Green on green on green. An editorial on colour blocking, shot in a studio we turned into a greenhouse.
- Photography
- Odile Varga
- Styling
- Kofi Mensah
- Make-up
- Ruth Amaral
- For
- Fold Magazine
When everything is green, the face becomes the colour.
A personal series in black and white: one roll of film a month, for a whole year.
- Photography
- Odile Varga
- Film
- Ilford HP5, 12 rolls
- Prints
- Lab Rua da Rosa
Twelve frames a month. You learn to wait for the face.
Noir, Slowly
Noir, Slowly
Noir, Slowly
Noir, Slowly
A personal series in black and white: one roll of film a month, for a whole year.
- Photography
- Odile Varga
- Film
- Ilford HP5, 12 rolls
- Prints
- Lab Rua da Rosa
Twelve frames a month. You learn to wait for the face.
Tear sheets · From the archive · 2019–2026
“I photograph clothes the way people remember them.”Odile Varga, in conversation, p.96
Subscribe · p.98
Commission the next story
Commission the next story
Commission the next story
Send the card with a few lines about your label, the season and the dates. I answer every card within two working days, and I can usually start within three weeks.
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Reply time
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Studios, Lisbon & Milan
35 mm
And medium format